By Thomas Cousineau
This research explores the dialectic of destruction and renewal within the paintings that Samuel Beckett considered as his masterpiece: the trilogy of novels he wrote after global battle II. It translates the trilogy as featuring a subversive critique of the 3 idols -- mom, father, and self -- to which humanity has searched for safety and information all through history.
Note: Notes, Bibliography and Index are lacking; they're incorporated within the PDF even though.
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Let us read his books . . ” Yes, let us look at his books where women are crucial to understanding Hemingway’s craft. To my imagination, Hemingway’s female creations, such as Catherine Barkley, Lady Brett, Maria and Pilar, Margot Macomber, 33 Liz Horton, Littless, Prudie, Marjorie, Renata, and the hugely fat whore in “The Light of the World” are somehow more real, more fully formed, than the author’s real-life companions and wives (the sole exception is Martha Gellhorn, whom I’ll come to later).
Ernest depends on Mom, the family anchor, but pities Dad, the man who is afraid to stand up to his wife. Behind the curtains the Hemingways are caught in a complicated emotional web. However, Nobel laureate and anti-apartheid activist Nadine Gordimer warns us, “I’m not concerned with what Ernest Hemingway did or did not do in his own body, his own person, out of his own courage in wars . . Let us leave his life alone. It belongs to him as he lived it. Let us read his books . . ” Yes, let us look at his books where women are crucial to understanding Hemingway’s craft.
Let us leave his life alone. It belongs to him as he lived it. Let us read his books . . ” Yes, let us look at his books where women are crucial to understanding Hemingway’s craft. To my imagination, Hemingway’s female creations, such as Catherine Barkley, Lady Brett, Maria and Pilar, Margot Macomber, 33 Liz Horton, Littless, Prudie, Marjorie, Renata, and the hugely fat whore in “The Light of the World” are somehow more real, more fully formed, than the author’s real-life companions and wives (the sole exception is Martha Gellhorn, whom I’ll come to later).
After the Final No: Samuel Beckett's Trilogy by Thomas Cousineau